Broadcast production services, from camera to transmission
Six areas of work covering studio cameras, lighting, audio, live events, signal routing and portrait sessions, planned around the programme or event you are making.
Six ways we support your production
videlyzo works with producers, directors and event organisers on television programmes, live broadcasts and media events. Each service can stand alone or sit alongside the others, depending on how much of the production you need help with and where your crew already has strength.
Studio Camera Systems
Planning, setup and tuning of multi-camera studio systems for television programmes and presenter-led shows.
Lighting Design
Lighting plans for studio sets and live stages that flatter presenters and keep exposure consistent across cameras.
Audio Engineering
Microphone plans, mixing and monitoring so speech and music stay clean through rehearsal and live transmission.
Live Event Production
Crew coordination, vision mixing and run-of-show planning for conferences, concerts and televised events.
Workflow and Signal Routing
Design of cabling, signal routing and intercom workflows that connect cameras, graphics and playout reliably.
Studio Portrait Sessions
Controlled portrait lighting and camera sessions for presenters, guests and promotional stills.
Tell us the format, venue and crew size when you get in touch, and we will suggest which services fit before anything is quoted in writing.
ContactWhat shapes the plan for your job
No two productions need the same support. These are the points we weigh first when we read a brief, because they decide how much preparation a job needs and what a fair proposal looks like.
Studio Camera Systems
This service suits producers launching or refreshing a presenter-led programme and facilities that want a multi-camera studio to behave predictably. We plan the system, set it up and tune it with your operators in the room.
Contact
- Camera and lens selection
- We recommend cameras, lenses and support to match your set size, shot list and budget. You receive the reasoning in writing, so the choices can be explained to anyone approving them.
- Setup and matching
- Cameras are aligned for colour, exposure and framing so that cuts between them look consistent. We check this against your lighting rather than in isolation.
- Control and monitoring
- We arrange camera control, tally and monitoring so the gallery sees what the viewer will see. Any gaps in the existing chain are noted before rehearsal.
- Operator handover
- Tom Eastley or a colleague walks your operators through the system and leaves clear notes. The aim is a crew who can run the studio without us.
Bring a floor plan, a rough shot list and details of any equipment you already own. Even a sketch helps us give a realistic view of what is needed.
Write to us through the contact page with the show format, venue and dates. We will reply with questions, then a written quotation covering the services that suit the job.